06
Oct 19

Final stretch…

Few hours in the shed this Saturday. Put the inlaid desk to one side, got out the hated router and set it up and dug a shallow trench along the underside of the first shelf.

Next, had to cut the length of aluminium extrusion I had to length, so spent a few fiddly minutes getting the right length including the end caps, and then discovered I didn’t have a hacksaw to hand. The bandsaw might be able to cut aluminium in a pinch, but the throat’s not deep enough to get to where the cut had to be made, so… angle grinder?

Angle grinder. Fiddly to set up, very fast cut.

Almost too fast really. And of course, messy. So time for hand filing. Out with imp to hold it and the files to clean up the cut and deburr everything.

And then test fit. The extrusion has small ribs to act as barbs when you drive it into the slot so I’ve not seated it home yet (plus I need to drill in from the back of the shelf to run the cord in for power and I don’t yet have the LED strip to go into the extrusion, so this is as far as we go with this step for now).

I’ll drill in from here in the middle of this marked channel back to a slightly deeper part of the trench that I’ll cut before drilling and then it’s a wiring job. I was wondering about chasing the cord down the leg of the shelf and having the plug emerge at the base, but I might just have a 12V DC socket at this point and let the plug go directly to it. We’ll see.

Next, planed the surfaces at the rear of the top of the uprights which will actually contact the wall. This is a straightforward, if slightly exact, chamfer with a handplane. 

Before and after. Not much to see, but it’s the difference between leaning against the wall and being driven into it like a chisel. I’ll put a leather pad on these surfaces as well (and maybe the back of the top shelf too) after finishing is done. 

And now shaping and finish planing. The #04 and my favourite spokeshave come out and all the sharp corners that have been left alone till now go away so every edge is rounded and safe, and the surfaces all get a final planing to take all the pencil lines and dust off, though with this board (you can just about see the worst of it in the photo), there’s been some damage where things have just been banged off the board throughout the last year. Consequences of too large a project in too small a space – it’s not just working on a component that gets affected, storing a component is just as difficult and stuff gets damaged. All the ironing in the world wasn’t making any odds here. Moral of the story: work on smaller projects.

A quick run-over with 240 grit sandpaper later and it’s the last coat of Danish oil (and the first for the uprights). This is the last application of Danish oil for this project, but not the end of the finishing process. 

I don’t know why one of these boards is darker than the other. I’m guessing one was on the top of the pack when it was in the timber yard, hence the pale stripe near the top where the strap held the pack together while the UV in daylight tanned the rest of the board. I’m hoping that’s it because if so the wood will naturally equalise in colour over a few months or so. 

Next morning rolls around and it’s time for the poly part of the finishing. None of the US brands of wipe-on poly I would know are available here, but Osmo Polyx gets recommended a lot and I used another Osmo finish for other projects before with good results, so we’ll spin the wheel on this one. Instructions are simple: open tin, stir well, apply a very very thin coat, repeat coats after 24 hours, 2-3 coats is all that’s needed.

Cue re-watching several videos on polyx wondering if some joker snuck white paint into my transparent poly finish, but no, it’s just that colour (apparently it’s the waxes in the finish – polyx isn’t exactly a liquid polyurethane finish, it’s a blend of oils, waxes and eleven secret herbs and spices that’s allegedly as durable as wipe-on poly but without looking like you sprayed plastic on wood. I’m dubious, but we’ll see). Okay. Now cue a lot of trial to get that thin coat just right. In the end, I apply a thin but still very white-looking coat with a brush and don’t coat everything; then I use a white scotchbrite pad to rub it smooth over the whole surface by which time it’s pretty thin; and then I give it a last wipe-down with a paper towel to get any excess and ensure the layer is nice and thin (if the layer’s thick, it won’t cure right and now you have a gummy tacky layer of oil and wax that’s hard to remove for a retry). 

Not an ideal drying setup, but the best I can manage for now with the size of the shed. It’ll have cured in 24 hours and that’ll be all that I do with it for this stage; next will be drilling the cable route for the light, fitting the LEDs, and when all of that is done, the final assembly and glue-up; and then I’ll do the final two coats of polyx to finish. I might even give an extra coat on top of that to the top of the desk, as it’ll see the most abuse. Hell, I may need to refinish that in a year or two, but I’ll drown that in resin when I get there…


09
May 18

Starting to finish

So time to take the shelf out of the clamps and see if it’s okay…

holds breath…

That’s not too bad from the front 🙂
Different story from the back mind…

Urgh those dovetails. There will have to be some remediation work there. At least the white inlay bits worked reasonably well (you just can’t do dovetails from end to edge like that if there’s more than one tail, the short grain on the pin means it always breaks off, so I deliberately broke off the pins and replaced them with some sycamore chunks).

Okay. Time to start finishing. I could keep trying to touch this up for ages and never finish 🙁

Going for a simple finish this time, just some thin coats of osmo and buffing it out.

Magic time 🙂

Little better at the back after some touching up.

That might be nice once the rest of the coats go on…

 

And then the surprise for the day – Custard over at the UK workshop forums offered to send me some thick sycamore veneer while I was trying to sort out a commercial vendor here for the stuff (the laminated 0.6mm stuff is workable but fiddly as feck and occasionally bits delaminate and you don’t know it till you expose the delamination while trimming off the excess and you now have a double thin white line instead of one slightly thicker line; and it’s hard to thickness properly as well). And the box arrived today. “I’ve thrown in one or two other bits” he said…

2.6kg. In veneer. What the hell is in that box?

Holy shit.

So that small sheaf at the front left over the vice? That’s all I was hoping for. Look at the rest!

Thick ebony and boxwood veneers – boxwood is bloody lovely stuff and with an interesting history and source. And rippled sycamore. Wow. That stuff is stunningly pretty. (If you’ve not seen it before, that plank is perfectly smooth – the lines are figuring, cellular anomalies in that particular part of that particular tree, we don’t quite know what causes it and it’s become very fashionable these days (in the 17th to 18th century it wasn’t so much because it’s not as strong as straight-grained wood, but when veneering was invented you could use stronger wood for the substrate and let the veneer of a figured wood be the final decorative layer).

And the walnut is even prettier when it’s figured like that. And the cherry is figured as well – I’ve not even seen cherry in the flesh before now, I can understand now why it’s so popular for furniture making. It doesn’t come across well in photos (well, in mine anyway) but it’s very very pretty up close.

Custard, the stuff is incredible, you’re a maniac. Thank you!

 

 

 

Oh, and the resawn beech still hasn’t pretzel’d on me…


25
Jan 18

Done

Last stretch now. Start off by cleaning up from the glue-up last night. Trim the pegs with a flush-cut saw and run a chisel over the surface until it passes the fingerprint test. Use the plastic razor blades to get any glue squeeze-out I missed last night.

Those things are remarkably useful for this by the way, particularly in hard-to-get-at spots.

Gets right in there, doesn’t mar the surface at all.

Then saw off the horns so I can see what I’m working with.

Right. Test fit that on top of the chest and centralise it, make sure I have enough room for dust seals on either side plus the width of the dust seal again, and then mark off that point as being the final width of the lid. And then, very careful sawing. I got lucky and didn’t hit any of the mortices or crack anything from the stress of sawing (clamping cauls helped enormously here). Then I paused before putting away the chest again to decide on the hinges.

I went with the black in the end. I’m not sure why, but it just seemed to match the wood more.

Then on to the lid again, and shaping the front (where it’ll be grabbed most often) to be comfortable to hold.

First time that gooseneck has come in useful for me, but it more than earned its keep tonight. I broke all the other arisses as well, and then I sawed one of my pieces of material for the dust seals in half to give me some dust seal blanks, planed them to be matching – or close to it – and shaped a curve at the front.

When I was happy they looked okay and matched, I drilled for two screws, countersunk, painted the mating surface with hide glue and screwed them into place on the lid. Then I turned to the last job, fitting the hinges.

I don’t like this job much, I’m not terribly good at it. First I attached to the chest, and then using wedges and cauls to hold the lid in the right position, attached to the lid.

And then I spent the next twenty minutes refitting and fiddling with them to get the damn lid to sit flat.
Hinges.
They’re enough to make you tear your hair out.

I suppose it could be worse, these hinges are definitely not 17th century pieces (or even replicas of it). Period correct hinges would be these things:

Depending on who you talk to, these are snipe hinges, gimmel hinges or something even odder-sounding. But they’re not terribly pretty on the inside of a chest when fitted:

And even Peter Follansbee can’t make them look good on the outside:

Oh well. Count your blessings I guess.

 

And with that last job done, that was it. Build complete.

Well. The lid needed a coat of osmo, so I did that. But that was it then, nothing to do but wait for the osmo to cure (which it’ll do in the house tonight so the panels can start drying – if they’re going to do something weird on me I’d rather they did it now instead of after I deliver the piece).

You know, it didn’t come out too bad in the end.

 

Even the dust seals look good.

Oh, and for those who were wondering what it was for…

A friend at work and his wife are expecting their first in the next few days. In the 17th century, chests like this were four feet wide and three feet deep (or even larger) and they held a household’s linen or blankets. Today they’re called blanket chests. But this one is a baby blanket chest; the name is a bit of a pun in both construction and intended usage. It’s sized so that you can take four to six cellular blankets from mothercare, fold them the way you’d normally fold a blanket when you’re tired and in a hurry, and they’ll drop right in here. It’s also a baby version of the full-blown blanket chest, which would never fit in my shed 😀 (There are examples of miniature chests like this from back then, so they’re not unheard of – just uncommon).

Plus, I had wanted to make a chest for a while. They’re a fun build. Might do another one during the year.

Next up however is: tidying up the shed after building this. There are shavings everywhere