12
Dec 17

A day in the shed

So because I spent 2300 to 0400 on Friday night and 0900 to 1830 on Saturday working, I get a TOIL (Time Off In Lieu) day. Which I took today for reasons like waiting on The Plumber Who Never Showed Up. The plan was to spend all day in the shed. But since it hit -3C overnight, first things first.

Earl Gray, hot. With milk just to tick off the purists. And aren’t cast iron Japanese teapots nice? It’s the little things…

So with the shed at a balmy 3.5C, time to get to work, First, put the last coat of osmo on the tabletop and now I have to make some room and get the tabletop off the bench so I can get to it.

It’s not ideal, but needs must. And yes, I do need to clear away that rubbish in the wood bin, but this isn’t the countryside and neighbours wouldn’t take well to a small bonfire. Or for that matter, any fire involving wet MDF. I can’t blame them for that, I’d be miffed at needing a respirator in my own back yard as well. But I digress.

So the legs have been sanded down, given a last coat of the oak tea, let dry for five minutes so that right now the surface is damp to the touch but not actually wet. Time to apply the vinegar&iron solution…

That never gets old. It’s so dark it’s messing a bit with the camera’s auto-white-balance thingy, but it does that to the Mk1 eyeball too.

It’s a little… grubby looking close up. No worries. This is just the first stage, and I’m a bit oddball in that I like that pin-stripe-trousers thing the grain’s doing there. Dunno why, it just looks nice to me. However; now we give it about ten minutes to keep reacting (those were taken about 4-5 minutes in).

And after that time, we paint it in more oak tea, let it dry for five minutes, then more vinegar and iron solution, dry for five minutes, and then a last coat of the oak tea. At this point, it’s about as dark as it’s going to get in the time I have available (it will continue to react for the next 10-12 hours anyway and get darker as it does).

Wake up, time to dry.

They’ll go a kind of dusty purple in the next hour or three; that’s expected.

And now I have some time and a shed with a free bench….

I have an idea here. Trust me.

…or maybe not. I gave up on this idea here; I’ll come back to it over the holidays, but I can’t get it done today and I’ll just mess up the other things I’m working on. I guess recognising this kind of thing and giving up early is a good skill, but it still irks me.

Anyway, I do have something else on my to-do list for today:

Ug. Machines. And they’re ganging up on me now. Yes, it’s bandsaw box time. First though, I have a plan for that bandsaw…

Remember these? Going to fit the smaller ones.

Remove the older, larger thrust bearing.

Gunky! Now replace with the new smaller bearing.

The washer makes it look off-center, but it’s fine. The whole lego-part thing is great with these. Now for the lower thrust bearing, which is more awkward because of course it is. It’s not like being underneath the table would make it awkward enough, you also have to remove the entire assembly to replace the bearing.

Why is the lower post adjustable when you can’t reach it but the upper one isn’t? Le sigh.

Well. That explains a few noises. So much for sealed bearings.

And done. Modified thrust bearings, replacement teflon blade guides. And why go to all this effort? Three-eighths inch blades. Stronger than the normal quarter-inch blade, so you get better straight cuts on long rips (the main reason for having this bandsaw in the first place). But you can’t install them on this bandsaw properly with the normal thrust bearing – the normal bearing shoves the blade forward if you put the teeth gullets in the middle of the bandsaw wheel like you’re supposed to:

Put the leading edge of the bandsaw on the crown of the wheel like that and it has the most tension and thus is the most resistant to buckling when you shove wood into it; but you don’t want the thrust bearing rubbing on the back of the blade when you’re set up like this or the blade will behave oddly. With the new bearings, there’s just enough clearance (maybe 0.2mm but that’s sufficient).

And yes indeed, it does now cut much better than before with this blade, tracking straight down the pencil line instead of doing a drunken walk from one side of the line to the other and leaving you jockeying around the piece to try to minimise the amount of planing you’ll need to get it set afterwards.

And so, on with installing my redneck fence and starting into the bandsaw box by cutting off the back.

BTW, sanding with the triton sander is waaaaay less scary than sanding with a belt sander under a holdfast on the bench, so +1 for that, but they are out and out liars of the most bare-arsed kind when it comes to noise level ratings. If I turn this thing on and shove my fingers into the spinning belt, sanding off all my fingernails, nobody outside the shed would know because they’d never hear me over the noise of the sander. Hrmph.

Still, works. Going for a vertical format box here.

Glue-up tonight, more sanding tomorrow, some oil and a coat of shellac and done.

One box, all the clamps. How many clamps should I bring to the glueup?

And I’ll leave it there. I’ll try to get another coat of osmo on the legs tomorrow morning before work and another in the evening and if I can, that should be the table complete. I’ll assemble it, take a few photos, and then pass it on to its intended recipient.

Honestly, I’m not screwing around with the photo here, it actually is black enough that it’s confusing the camera’s not-so-clever white-balancing.


10
Dec 17

Standing upright

Last few days have been the first really cold ones of the year. -2C to -3C in the shed. And work was… somewhat excessive in the last few days so tonight was the first time in the shed in a few days and a to-do list was waiting. So…

Ran a slightly larger drillbit through the aprons to give some flex room for the bolts, and flattened the top of the aprons (I also spent a half-hour before this with the scrub plane and #5 flattening the underneath of the tabletop and hand-cutting the panel to width to trim out the worst of the bandsaw wobble).

The stainless steel inserts arrived on Thursday in the post, thankfully. Seems everyone makes these in zinc-plated steel, but actual stainless is a bit hard to find.

Bit of faffing about getting the legs centered on the tabletop, then putting in the drill bit and thwacking it to mark the drilling point with the drill bit (it’s a brad boint bit).

And now it’s time to drill the holes for the inserts. Look closely enough and you can see the marked point.

El cheapo drill bit depth stop so I don’t drill through the table. I have a fancy one for auger bits, but for drill bits, it’s blue tape time. What could possibly go wrong?

Oh. Right. Well, at least I noticed the shavings were shoving the tape backwards before I chased it right through the table.

Who says calipers aren’t good for woodworking? Check length of insert with calipers, get automatic depth gauge setting on the other, stabby end of the calipers. So I drilled the rest of the insert holes, stopping to poke the stabby bit in the hole until I had my depth.

Then it was time to realise that Richard Maguire had gotten inserts that you put a hex key directly into in order to drive home, but these sodding things need a bolt put into them and you drive them home with that. And since they’re going into a blind hole, the bolt has to be shorter than the insert. I managed to find some short M6 bolts (they came with the Triton sander as the bolts to bolt it down to the table with but I had my own), but they were too long. So. Time to break out my metalworking setup 😀

This is my metalworking setup. It’s a Record Imp, which I got back in February. It’s a nice lightweight metalworking vice designed to be clamped to a bench by people who didn’t need a full-size machinist’s vice. And it has nice features – you can bend pipe with it, you have a small anvil at the back and a striking surface (that small round thing just behind the jaws) and so on. Plus, it’s old – it’s a later model so this wasn’t made in the 1930s but it would have been somewhere between the 1960s and early 1980s, before Record went downhill. This is a small vice, but it is not a toy vice. I’ve screwed and clamped it down to a scrap piece of inch-thick oak, which then gets holdfasted to the bench.

So I clamp the bolt in the vice, mark off the length I want, remove the insert from the bolt, then fire up the dremel with a cutting disk (it’s a 6mm bolt lads, if I fired up the angle grinder it’d be like firing a sandblaster at sponge cake) and nip it off.

And now, just because we can, out comes the file and the tap-and-die set…

File off the sharp bits left by the dremel, recut the start of the thread after the file’s mangled it. Then thread the bolt into the insert and get out the socket driver.

Now, pick up that 14mm long insert, in a shed where it’s around 6-7C, slip with your fingers and drop it down behind the bench into the sawdust and shavings.

Swear profusely.

Get out the magnetic-head telescopic torch thing…

Right. Enough faffing. Paste wax to the threads and drive it on home.

Nice. Now we just do that with the other three…

Why is it spinning so easily on insert #2?

Ah, shite.

Apparently my bolts are made of particularly firm cheddar.

Mole grips to unscrew the insert, pointy thing to screw the bit of the bolt still stuck in there out the back of the insert (glad I didn’t get the blind inserts now).

Okay. Prep another bolt. Repeat all the steps above. Keep going, but be more careful this time.

Shite! At least I felt it go this time and stopped fast enough to be able to unscrew it in one part. Prep another bolt…

Felt this one going before it snapped. Definitely cheddar.

At least all four are in now. I might come back if I can find a non-cheese bolt and drive them below the surface later. For tonight, that’ll do.

Bolts in, and they fit (they’re a bit less than drop-in, but wood moves, blah, blah, blah, that’s my excuse and I’m sticking with it.

That’s a pleasant sight 🙂

Out with the MDF board at this point for a flat surface and check the rock – the front left leg there is about a millimetre out. Plus the feet are all at 12 degrees to the ground because geometry, so I mark off a flat on each leg, disassemble the table and even the legs up. And I leave it there for the evening. I’ve been up since… well, I was in work till around 0400 this morning after getting called around 2330 on friday, and I was back at work just before 0900 until 1730. On-call sucks sometimes. Oh well. There are worse complaints.

I have to shape the feet and thin the table edge and do the final smoothing of the tabletop and legs (cabinet scraper time!), all of which are finesse tasks so I’ll leave them for tomorrow, and I can be starting the finishing by tomorrow evening which is a good timetable for this.

Oh, and I also have a custom scratch stock profile to file. I’d rather do this with a hollow plane, but I don’t have hollows and rounds and I know (a) how much a set costs and (b) how much space one takes up 😀 So that’s not happening for a while. Hell, that was why I got the #050C combo plane, but alas I didn’t get the special doo-dads to let it act as a hollow or round 🙁  I’ve got an eye open, but the problem with the combiplanes is that they came with a lot of bits and doodads, and that was in 1930. You can’t keep both socks together for more than six months before you’re suddenly looking at lefty pining for righty who is has returned to the fjords; what odds that someone will have all 53 pieces from the original combiplane box that they bought in 1933?

So obviously, I just need to get a set of hollows and rounds.

looks up prices

passes out

Holy crap. I could buy two cars (second-hand) for the price of a set. Sod that. I wouldn’t have the room to put them anywhere anyway and the larger ones are all for things I don’t have the physical space in the shed to build.

But on ebay, unmatched planes (“harlequins” apparently, in a rare example of nice naming) are way less expensive – you can pick them up for a pound apiece in some cases. So I’ll probably wind up buying one or six hollows/rounds/beading wooden planes over the next year. You don’t need all that many for the kind of stuff I do. I might start with one that matches the profile above, which is drawn to match one of my gouges to do some decorative carving work.

I guess I’ll just have to try my “build something and sell it to pay for the wood” plan this year to let me do that 😀

 


06
Dec 17

Resawing sucks.

Honestly, if there is a better argument out there for buying a large bandsaw I haven’t heard it yet.

Yes, I’ve heard of roubo frame saws. My shed hasn’t enough room between the face vice and the wall to use one.

Yes, I have western hand saws. I either need to resharpen them or recut their teeth because the best one I have didn’t want to cut.

Yes I have a bandsaw already – it can’t resaw anything over 75mm. That there is 115mm.

So, wax blade, yank handle, shove handle, repeat till ticked off enough to pull board halves apart by brute force, plane off worst of the gack in the middle with scrub plane, give outside a few passes to mitigate uneven drying, repeat.

What, you thought there was an art to this? No, it’s just donkey work. And if you get too ticked off and pull the board apart too early…

It rewards you with a great big divot out of one end. Well, at least I don’t need the full length of any of these boards.

Left them standing upright to dry and warp overnight.

At least I got both boards resawn. That was more than I had expected to do.

So I had a play with my Lee Valley scratch stock and a gouge. I was watching some old Peter Follansbee videos and saw what I thought would make a nice decorative element on the rails of the chest. This kind of stuff shows up on the 17th century oak furniture he specialises in and was very common in the period, and since this is basically a 17th century design tarted up a bit, it seems appropriate.

Plus it’s pretty fast and simple to do, though I do need to experiment a bit more – I really need a round or beading plane or a custom scratch stock to form the surface in the middle before cutting the segments out. This took all of five minutes or so to do by the way – it really is fast when you know how (scratch stock bead line with a fence, chop at right angles with a gouge at regular intervals on that bead line, scratch stock bead line on the other side of the chops, then carve one scoop from gouge chop to gouge chop with the same gouge). How to actually end it when the rails hit the stiles is the main problem. I’m not sure how to continue it around the stiles/posts you see. I mean, I could try freehanding it but that seems wrong somehow unless I can get the rails and stiles utterly flush.

And the threaded inserts didn’t arrive today. Bother.

Tomorrow I’ll square up the stock and try to get the panels cleaned up a bit more and do something about that lid. I’d like it to have a small curve to it if I could, but the only way I can think to do that involves taking an inch-thick board and carving it with planes. And I don’t know about that – it’d be heavy and I’d have no way to prevent it warping with movement, which a frame-and-panel lid would address. I mean, according to the bible, it’ll move by 2.8% tangentially over the 30% humidity change between a summer and winter indoors around here (gotta love central heating), that’s almost a full centimeter of movement across the width of the lid. Make that from a solid block of wood and you won’t have a lid for half the year.

What’s the bible? Fresh from abebooks.co.uk:

Basically, a few hundred species of tree, with notes on things like general working properties and data like how much it moves when seasoning and when doing a 30% humidity swing and what its density and tensile strength is and so on, all done by a UK government office back in the days when this was what governments did. Yeah, it’s 1956/7, but tree species don’t change that much that fast (other than going extinct).

Bloody useful books.