02
Jul 18

I can see clearly now…

It’s entirely possible only other people who do woodwork in tiny, tiny sheds will understand the unbelievable awesomeness of what’s on my bench at the moment.

I even gave it a coat of BLO&turps since I have no idea when I’ll next see it that clear again.

Now I just need to tidy up down by its right front leg so I can stand in front of the end vice and I might be able to plane the sides of the bookshelf project without swearing too much…

Also, I need to have a rule in the shed that I will never ever ever ever again put a box or box-like container on the bench for just five minutes to hold one or two small things out of the way. It’s taken over a year to get that sodding mess off the right-hand side of my bench.

Tomorrow, I’m going to start on the shelves. I don’t have all the final details in my head squared away, but the build is going to start off with making up a 20″ by 36″ panel in walnut and that’s not going to be changing so I might as well get on with it…


17
Jan 18

Groovin’ right along…

The rails were all prepped and squared last night so today at lunch I hobbled out to the shed and started grooving them with the #044.

First off, checking the position of the groove and the shadow lines (if we have any) with the long rails.

Line up the reference face of the rail with the stile and nick the corner with the marking knife at the edges of the groove on the stile. Then use the marking gauge to run those lines around three of the four edges and reinforcing the lines on the edge with the groove using the cutting gauge. Then into the vice and plough the groove out with the #044.

But the inside edge is a bit rounded and ragged which could cause issues, so out with the japanese chisel (which I’m starting to enjoy using – it’s great for anything involving chopping but for paring it leaves a lot to be desired) and the narex to clean up.

And when the straggly bits on the bottom are cleared out and the inside edge is straightened up, a single pass with the #04 along the top to tidy up and we’re done.

Not every rail needed quite so much work (and I went back and fixed two grooves on the stiles the same way later). And with the long rails done…

…time for the short rails.

Same procedure as before, right down to the cleanup. By this point we’re through lunch, and a coffee break around four, and into afterdinner time, but:

Done. That’s the main carcass of the chest ready for the mortice&tenon joinery. But by now it’s too late to start chopping mortices (because of the noise and the neighbours) so something else needed doing. I still hadn’t picked material for the lid so I started picking through the timber store and found two short oak boards that are already prepped from an earlier build I didn’t pursue, they’ll do for the frame of the lid. For the lid panel I wanted a single solid piece of nice looking oak between three-quarters and an inch thick. Couldn’t find any offcuts, so…

Measured off slightly more than I’ll need and crosscut with the 300mm ryoba in the face vice, then skim-planed off both faces to see which side should be up. Sometimes that’s a hard choice. This time… not so much 😀

Three guesses which way’s up? 😀

Also, it lets me use up the end of that board that had a damaged edge – I won’t need the full width of the board for this. The idea is to have a frame-and-panel lid, but where the lid has a groove around the edge instead of a tongue so that the bottom edge of the groove acts as the tongue for the frame and the top edge of the groove is proud of the frame:

Of course, you don’t really need the groove on the frame, you could use a simple rabbet. I’ll have to think about that a bit. The panel does have to be grooved though, because I want to shape the half-inch or so that would be proud of the frame and I’d like to be sure the line between lid frame and lid panel is hidden away.

With the parts skim planed and set out (I’ll rip out the frame rails and stiles tomorrow), and the floorboards already picked out (I have some cedar for that), there was something I wanted to check, namely whether parts in the vice are definitely at right angles to the workbench top; that would explain the slight angle on the base of the 044’s grooves.

Nope, not even very close. That’s a tad disconcerting. I wanted to see if it was the vice jaw or the apron…

Seems like it’s both. Well, I guess I can’t think of the corner of the workbench as a square anymore. I suppose it’s not bad for cheap 2×4 material, but I do see the attraction of hardwood benches now.

That done, I laid out tomorrow’s job, wrapped up for the night and hobbled back indoors.

Tomorrow, we mortice!


05
Jan 18

More small jobs and practice…

All small jobs today in the shed. Well. Was a bit chilly.

And it was colder before I turned on the heater. Not going to get much better before the end of next week either 🙁 Onwards…

Got my new japanese saw bench hook finished:

Spare offcuts of walnut and plywood, with 19mm dowels from woodies (if you’re in the US, woodies is what Lowe’s would be if they dropped their timber standards significantly and jacked up their prices by 50%). The dowels drop into the bench dog holes:

In theory this would work on any set of two holes, but it turns out there’s just enough variation in spacing that it only works for this pair 🙁 Next time I build a workbench, I’ll be a lot more precise with a few things and dog hole placement is one of them. Still, this is the best placed pair for sawing for me, so it could have been much worse. Tried it out in anger making some small parts and it works nicely. Not sure how much abuse it’ll stand but it doesn’t feel too precious. About those small parts:

Honestly, this one will be funny, bear with me…

Then some more practice with the v-tool:

The results weren’t terrible but lots more time needed I think. The practice pattern from Peter Follansbee’s video is a lot easier to carve if you make it simpler when you work on a piece of wood half the size he’s using – there’s a minimum resolution limit, so to speak, in oak and challenging it is not conducive to decent results. Still though, a ways to go to get from this:

To this:

But I think it’s a small improvement on this:

And then I got out the old oilstone and a 10mm dowel and some sandpaper and took twenty minutes to sharpen up the #7 hollow and the reeding plane I got before xmas and gave them a try. I still need to work on the hollow, but the reeding didn’t go too badly.

It’s a bit hard to see here, but the two beads were nicely formed for most of the length of the run. It’s a bit of a faff setting up the plane, but when it’s set, it’s sweet.

A bit of practice with the gouge later and I got to see what I bought it for:

A lot easier to make those two beads with the reeding plane than with a scratch stock. A little more practice and I might actually be ready to use this on a piece.

About that oilstone. I’ve had it for ages, it was one of the first things I ever bought for woodworking, but I’ve never really used it much – never liked oilstones, they’re mucky things really compared to diamond plates – but it does seem to be a higher grit than my 1200 diamond plate. I was planning on getting a D8EE plate later this month (DMT, 8000 grit) because I thought I was about ready to add another step up in grit to the sharpening process now that I’ve got the hang of the basics; I might just try using the oilstone in the interim. It probably needs to be flattened though, and I don’t really know what grit it actually is; must find a way to test that, even if it’s just “polish something on the 1200 grit plate and then on the stone and see which one left the larger scratches”.

And there was a bit of fiddling about with parts for various other builds that are in progress right now, like this one:

And this didn’t work too badly either, but I can’t pein over the end of the nail so I’ll order some brass rod stock to use as the hinge instead.