24
Feb 19

Resin results and carving again

So the resin tests came out pretty damn good. The idea of putting the reflector under the resin worked quite well, and most of the colours came out well (the crimson guitars stains didn’t really pop but that was more down to the dark background – the way the red especially looked over the reflector suggests it’d be lovely over poplar).

Crimson guitars stains in walnut

Calum picked out a few he liked as well (the ones with crosses beside them in pen). So now I’m just picking out designs to do for the various parts of the desk, shelves and sides. I need to print a few out and find some transfer paper, then some will be done by inlay and some with resin and some with a mix. I also ordered two new inlay handtools for a few curves I can see coming that will have to be done freehand (yeah, you could get router inlay bits but I think we’ve established by now that I don’t like the router very much).

Think I’ll skip banding this time though. For a later project, that one (and I have one in mind).

Meanwhile, I’m blocked for a few days so I made some progress on the oak box. Cutting the component parts was easy enough…

If anything I shouldn’t have cut them so early, but left that till after the carving. And I mucked up shooting the end of one…

And of course the CA glue stuck to the clamp so unclamping chipped the board anyway. Le sigh.

But never mind, on to the fun stuff..

It might be hard to spot there because scratches on oak are, but I’ve marked a centerline and scratched in a series of opposing lunettes (to borrow Peter Follansbee’s term) and next up is cutting them with a V-tool. Well. Actually next up is spending some time with the diamond plates, slipstones and strops sharpening that V-tool and trying to sharpen a second one I had but which actually needs to be reground. Those V-tools are a little small but it’s a small box and the larger V-tool I have is an incanel one which, when used for this, bites in and heads for the far side of the piece. I can’t get it to work for this sort of thing. I’ll keep an eye out on ebay, but for now this V-tool will suffice.

That’s all of them marked out in fact.

You can make out the scratches up close, but they’re still hard to see even standing in the shed. I wonder if Follansbee has it easier seeing these because he uses riven oak instead of this flatsawn stock. He’s said himself this is carvable but not the best.

After a few minutes in fact, I gave up and just ran a pencil line around the scratches. They’re being carved out so it won’t mar the work.

Then I just work my way along, cutting out the same part of the curve on every curve, then moving on to the next until all the lines are cut out. You have to cut in sections so you can brace your V-tool arm and control the cut. I say that like I’m cutting perfectly regular lines, but I have to go over everything once or twice already and it’s still not perfect.

I mean, it’s not terrible, it’s just rough. Still though. Got all the V-tool work done on all the sides.

Next will be cutting the floral decoration. That’s done with a few gouges, so got some out to figure out what fits.

They’re all a bit small though. I suppose “you can never have enough gouges” is a thing as well. Still, bit of experimenting and I found some that’ll work. A few chops with each will act as stop cuts, then some removing of background up to those stop cuts with a shallow gouge, and you get this.

Bit of tidying up, some extra bits and pieces as decoration, and that should be reasonable enough so long as nobody looks at an original Follansbee for comparison…


17
Feb 19

Fettling

More shed time today, and I spent the first half of it fettling the middle shelf in the desk. Straightforward, if repetitive process – assemble, check what’s too tight and what’s too loose, cut or pare the shelf a little narrower with saw and chisel, reassemble, recheck, repeat until the dovetail joint that was horribly stressed by the shelf being too wide:

…is no longer stressed, but just snug:

And doublecheck all the other joints to be sure nothing else is opening up.

Okay, I’m happy with that.

I’m also happy because before assembling this, I marked out the back of the top of the sides to show which bits had to be cut off to give a straight line across the back (because the top goes up against the wall for support), and when I assembled it:

Nice straight line.

So, now time to get rid of all the straight lines! Out with the French curves and the compass.

And also did a bit of marking with pencil of various things to know what goes where when assembled. Then I broke it all down and spent some time with the bandsaw, various handsaws, chisels and my favorite spokeshave to shape the shelves.

Not done yet, but nearly there for the walnut desk, and a little behind that for the middle shelf. Once they’re done, it’ll be time for inlay and decorative stuff. I need to order some resin for that, and do some testing. And there’s be the light fitting and cable chasing and then finishing and then final assembly and that’ll be that.

Meanwhile, there’s another project I want to start on because I’ve been watching Ron Aylor’s latest bout of carving recently and I’ve been wanting to go do some. But that will require some oak to be prepped. I have some but…

Well, I’ll have to dig it out…

…with a JCB. Le sigh. Also, it’s a bit thick for the size of box I have in mind. Time for the DeWalt 734 to earn it’s pay…

I’m kindof shocked really. I pulled four boards (because why dig that much for just one?) and with the #05 got one face to sit flat on the bench. That took about 25 minutes in total.

Then I fed all four through the 734, dropping thickness by about 0.4-0.5mm on each pass, and alternating sides once the first uppermost side was flat. That took 20 minutes to give the boards above. That would normally have taken all of this week’s evenings with the scrub plane. That’s a massive boon, I think it’s obvious the 734 is going nowhere. I mean, it’s not my idea of a finish planing, it’s very rough milling but still. That’s damn useful.

Now, I want them a few mm thinner, but it was getting late and the 734’s noisy, so I’m leaving them to warp and cup overnight before doing the last few passes in the 734. And also, I think I need to (a) clean up and (b) sort out something about extraction…

Yikes.


18
Mar 18

Ah for feck’s sakes…

I only just finished digging that sodding thing out!

*sigh*

And I’ve not been getting much done in there thanks to subzero temperatures and public transport making the work commute into anything up to a six-hour-a-day nightmare (yes, a foot of snow won’t slow down Canada, but Canada spends more on their snow clearing hardware and people than we spend on Varadkar’s Strategic Communications Spin Unit…). Mostly I’ve been putting together new tools for some things I’d like to try, namely stringing and carved arcading. So for the stringing, I already have the dead fancy radius cutter from lie nielson (probably the most bling tool I own), and a small perspex scrap to give it a pivot point when working on some of the usual designs:

But I haven’t got a straight line cutter because I figured I should be able to make one, they’re basically a marking gauge, see the lie nielson one:

Fancy, but basically just a marking gauge. So I ordered a spare blade from the lie nielson cutter to skip the whole metalworking bit because hell, learn one thing at a time. Then I laminated two scraps of white oak, cut and squared a stem from another scrap and chopped a mortice (and a rabbit on the base). Some test fitting, adding the blade in a little recess and…

Mind you, it doesn’t work. The mortice isn’t good enough so the beam isn’t at right angles to the fence, so the blade gets dragged along while skewed so you don’t get a nice thin cut line, you get a wider scratched mess. I think I’ll take out the beam, add a brass strip inlaid on it for a bearing surface and use the brass thumbscrews I have here as a lock. And I’ll remake the fence from a single thickness scrap piece of something; it’s too thick to cut a mortice accurately through (at least for me). Some guide blocks when morticing will probably help too. It’s not hard, but it does take a mite more care than I used on the first try.

Also, I’ll need to cut strips off the veneer to make the stringing, and I was finding my marking knife wasn’t up to it and neither was my heavier stanley boxcutter, both would be fine for a few inches and then wander off the line following the grain. So I got this:

Think pizza cutter. But with a tungsten carbide blade. It’s normally used for cutting cloth for quilting. Doesn’t get dragged off to either side by the grain as much as a normal knife that’s embedded in the grain would because with the wheel, the cutting surface is constantly coming out of the wood so the material hasn’t as solid a grip on the blade (which is precisely why we use these for pizzas and the like). Tested it already and it works like a charm. My veneer on the other hand, is too thin; I need to source better material, which I’ve had some pointers on from the UK forum.

And for cleaning out the stringing lines before gluing in the stringing, a dental pick is a pretty decent tool and dirt cheap on ebay. You get the oddest looks in the office when it’s delivered, mind you…

….but the looks you get when you order the syringes for putting glue in the stringing grooves surpass anything I’ve seen so far 😀

I also had to restock on glue and got a bunch of liquid hide glue in a sale on ebay so that should be all the glue I need for the next year or three (it’ll go off before I get through all of it I’m guessing). So I think I’m set right now for everything but the veneer for stringing; I’ll sort that out while I fix the straight line cutter and then start experimenting.

Meanwhile, Peter Follansbee did a nice blog writing up how he does carved arcading; I’d like to give this a go myself, it looks like fun:

It’s just damn pretty in walnut. And it looks terribly complex when finished, but like a lot of this period’s carving, it’s all geometric and done by leveraging the characteristics of tools rather than being some kind of sculpture that relies on twenty years of experience (which would be harder to try).

I do need to get one or two gouges that are larger than what I currently have so I got a nice three-quarter-inch one for a few euro off ebay again:

And between that and one that was a present from an old friend, had a go at the basic core elements to see if it was even possible (here in an oak scrap rather than walnut):

It’s somewhat easier than the v-tool work that I’ve been practicing (and not getting hugely better at, though having better sharpening kit is making a difference):

Something else to get back to, when I dig the shed out again…. this whole thing of letting the north pole melt and turning off the north atlantic current and ruining the climate is playing absolute hell with my shed time…

It’s not even for the birds!